The emergence of low-priced electronic publishing has been a big challenge to the book industry. The cost of publishing has dropped, eBook readers are much improved and as a result there is a huge increase in the number of independently published works available to the public. Many people have bemoaned this development but there is no denying that eBooks are here to stay. They will never replace hardcopy books – and that’s a good thing – but they are now a significant part of the book market.
As a creative writing teacher, I’ve always encouraged people to write. A lot of people wonder if they should write. Generally, I say ‘Give it a go’. Lack of confidence can be a barrier but writing as a medium for self-expression is a lot more accessible and natural than some of us are led to believe. To date I’ve never come across anyone who didn’t benefit in some way from writing about something that mattered to them.
The rise in interest in writing has dovetailed nicely with new, less expensive options with the result that there are large numbers of new books entering the marketplace every week. Some of these new writers are aiming to compete in the traditional book market while others are more experimental and not too interested in sales. Others again are just happy to record a memoir or a family saga or a person’s struggle against adversity. The beauty of eBooks is that anyone can join in and it doesn’t cost the earth.
But it’s tough out there, make no mistake. There’s a massive of amount of good reading material available now. Plenty is available online and lots of people, even writers, give away their work for free. Meanwhile all of us are competing against the reality of social media which voraciously soaks up a lot of spare time.
This is where the new CAP Awards come in. Launched this year by Carolann Copeland of Carousel Writers’ Centre, the Carousel Aware Prize for Independent Authors (The CAP Awards) is innovative and timely. Focused on the ‘indie’ book market in Ireland, it has five distinct award categories: Best Junior Book, Best Young Adult Book, Best Short Story Anthology, Best Non-Fiction Book and Best Novel. As you can see the categories cover a broad range of interests and in all twenty-five books have been shortlisted for the 2016 CAP Awards.
The CAP Awards are not the last word – far from it – in terms of what is good or great out there in the world of indie book publishing but they are a very welcome effort to identity the fact that there is a lot of talent in this new area and it deserves to be taken seriously. I have been shortlisted in the Short Story Category for my collection Do You Like Oranges?
The judge in the Best Young Adult Book category, Claire Hennessy, in writing about the CAP Awards pointed out there are different and varied reasons why authors choose to go down the indie publishing route. For me it was in part to do with the particular stories in my collection. All the stories in Do You Like Oranges? had been previously published in recognised journals and the title story had won a runners-up prize in a prestigious award in the UK, but from the outset I found I had difficulty selling the stories to an Irish publisher. Some of this was timing: my stories were about a difficult time in Irish political life when the police had engaged in ‘heavy-handed’ tactics against dissent in the country. As the Troubles came to an end publishers were leaning more towards forgetting about that time rather than dwelling on it.
I decided to publish the stories in eBook format in part to move on. Having one’s writing published is often, in a way, a means of parting with that particular work, and so it was for me. From my perspective as a writer, it was a good move to published Do You Like Oranges? The revolution in electronic publishing facilitated that and has made these stories available to a big audience around the world.
My thanks to Carolann Copeland and the CAP Awards committee, the charity AWARE and all the judges for taking the time to get this award up and running. While I can only guess at the amount of work involved, I have no doubt that it must have been considerable. I wish all the other writers shortlisted in the different categories the very best of luck on the night. Whatever happens these inaugural awards will be a big success for indie publishing in Ireland.
Noam Chomsky is widely known for his critique of U.S foreign policy, and for his work as a linguist. Less well known is his ongoing support for libertarian socialist objectives. In a special interview done for Red and Black Revolution [May 1995] Chomsky talks to Kevin Doyle about anarchism, marxism and the hope for the future.
The election of Barack Obama to the White House in 2008 was one of the most celebrated electoral victories of recent times. Not since Nelson Mandela’s win in South Africa, following the collapse of the Apartheid regime, was the supposed power of the ballot box so publicly celebrated and displayed.
Obama’s victory was hailed as a triumph for the ‘democratic process’ and was widely touted as a fine example of how people power and electioneering can trump entrenched bigotry and money.
Full version here. Published in the Irish Anarchist Reivew [Issue 3] May 2011.
Patrick Galvin, the renowned Cork writer and socialist, has died. Born in Margaret Street in Cork in 1927, Paddy was a prodigious and accomplished writer producing many works in poetry and drama, as well as writing the memoir The Raggy Boy Trilogy. He was also a most accomplished balladeer and many of his early works were in this form.
Full version here. First published May 11th, 2011
The French Revolution of 1789 put an end to the idea that some people were born to rule. In only a short number of years one of the oldest and most powerful monarchies in Europe was swept away. In its place came the idea of legal equality and individual rights as set out in the ‘Declaration of the Rights of Man and the Citizen.’
The basis of these new rights, established on foot of a great social upheaval, was the real hallmark of the French Revolution since it was accepted, from that point on, that laws and how they were made were the expression of the ‘general will’. As such these laws could be made and unmade as that ‘general will’ was discerned. This was the real break with the past.
At the time of the French Revolution the idea of the ‘general will’ was still new in politics. Even so the implications for the future were not difficult to make out. Sixty years earlier, in England, during the Civil War the very same issues had come to the fore. If the monarchy was to be dispensed with, what type of society should replace it? What exactly constituted the ‘general will’? And, as importantly, in whose service was its rule to be applied?
Now two years on from that time, we are finally getting to the bottom of a very deep hole. It has transpired that the debts in the banking sector were significantly larger than expected. The debts at Anglo Irish Bank were astronomical.
The current Government has nonetheless stood by its ‘word’ and as a result the Irish State has been sucked into the banking disaster. And there you have it: now we are being asked to pay for all of that!
Note on photograph: Showing the Irish Gardaí mobilised to protect the Dáil (parliament) following a huge orotest march in Dublin against wage cuts and austerity.